Caravaggio : A Life Sacred and Profane (Andrew Graham-Dixon) (Hardback)
Penguin Books Ltd: Caravaggio has rarely been seen in such depth and such relief as in this marvellous biography. Andrew...
Penguin Books Ltd: Caravaggio has rarely been seen in such depth and such relief as in this marvellous biography. Andrew Graham-Dixon reads Caravaggio's paintings with the habits and assumptions, thoughts and fears of his contemporaries so that we see and feel the paintings more acutely and intensely than before. The man and his work emerge enriched and enlivened (Neil Macgregor, Director Of The British Museum )
Caravaggio: A Life Sacred and Profane gave me immense pleasure and provided constant delight. It is a thrilling lesson in the art of seeing, a sensual exploration of the shadows of Caravaggio's sometimes violent but always Christian world, a detective story with a highly satisfying ending. Andrew Graham-Dixon's ability to have a reader see a painting through written language is a rare and precious gift. The book's rigour and integrity are obvious. I trusted every word and was sorry to turn the final page (Peter Carey )
Michelangelo Merisi da Caravaggio lived the darkest and most dangerous life of any of the great painters. The worlds of Milan, Rome and Naples through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and whores, prayer and violence. On the streets surrounding the churches and palaces, brawls and swordfights were regular occurrences. In one such fight Caravaggio killed Ranuccio Tomassoni, a pimp, and fled to Naples and then Malta, home to the Knights of St John, where he escaped from prison following his conviction for another vicious assault. Shortly afterwards he died while returning to Rome to seek a papal pardon for his crimes. He was thirty-eight years old. In the course of this desperate life Caravaggio created the most dramatic paintings of his age, using ordinary men and women often prostitutes and the very poor to model for his depictions of classic religious scenes. Andrew Graham-Dixons exceptionally illuminating readings of Caravaggiospictures, which are the heart of the book, show very clearly how he created their drama, immediacy and humanity, and how completely he departed from the conventions of his time.